Vayeira or the Many Shades of Shylock
Last week I noted that there is a Midrashic tradition that Torah existed before Torah (as we know it). In Midrash Bereshit Rabbah we see an elucidation of this idea. Referencing Mashal, or the Book of Proverbs, our Sages discuss how Wisdom existed before Creation. “The Lord made me as the beginning of His way, the first of His works of old” [Prov. 8:22]. Our Rabbis loved back-dating – “the older, the better”, and this pre-history certainly grounds that maxim.
If we hold Wisdom as an entity apart, however metaphorically, then Wisdom-as Torah existed prior to Creation. Wisdom is viewed almost as an architectural plan, which God then used as a blueprint. Our Sages understood Wisdom-as-Torah as a foreshadowing, a device that preceded Torah-as-historical document which by nature, entails looking back, giving the reader a history.
Within Wisdom, there was a glimpse, perhaps the briefest of appearances, of what was to come. We see this apparitional collapsing of physical entity into belief much later in the precise architectural plans for the Temple found in the Books of Kings. These plans were written from memory into word, which then functioned as a fulcrum of both memory and hope, as necessity required. In this way, Torahfunctions within tenses almost as God’s description of Self: I was, I am, and I will be.אֶהְיֶה אֲשֶׁר אֶהְיֶה, Torah, becomes that liminal opening, a poteach.
All this is a bit like opening a compressed file on our computers – which this week opens to Vayeira. And Vayeira opens, with just such a liminal appearance, at the very threshold of Abraham’s tent. A question arises of just what, or whom, Avraham saw. The “text” describes a visit by God and/or three men/angels. Abraham was initially head-bent-down whilst recovering in his tent, yet he immediately lifts his eyes and arises. “They” are present in front of Abraham, and yet distant enough that he must run towards them. So too do we experience both the imminence and transcendence of a personal, yet distant God.
We know when we feel the Presence of God –if only for the merest of moments, (with credit to Anaxagoras). Anaxagoras lived in Greece prior to Socrates, and he was also a philosopher. He noted that, “Appearances are a glimpse of the unseen.” Unseen? Who appeared to Abraham? What did he glimpse?
Further into Vayeira, on the way to Sodom, we encounter Abraham in a verbal duel with God: Who shall live and who shall die?I can’t help but cite Ann Coulter here, who stated that she…”gets a little belligerent when not enough protesters show up at my appearances.” I would like to suggest that perhaps God feels a bit like Coulter. God needs many more of us to show up, challenging and arguing, as did Abraham. Maybe God is saying to us here, “Welcome Me, yes, but argue with Me, challenge Me,be My ezer knegdo, be strength-against-Me.”
I recently watched a documentary about “The Merchant of Venice.” The focus of the presentation was Shylock and the question was Shakespeare’s intention; was it to make Shylock an object of derision? Or was Shakespeare’s intention to plead for the humanity of this man, a Jew? Was this play trying to make what was unseen, seen? His characters are like Matryoshka dolls, nestling within themselves, providing glimpses of tragedy within what was ostensibly a comedy.
“Am I not man like any other, do I not bleed”? Shylock demands. And Avraham asks of God – “are these people of Sodom not Yours?… Will you even obliterate righteous with wicked?” Shylock and Abraham become one with their questions. The courts convene. One court consists of Avraham trudging beside his God. He and God have both chosen each other – in love. But Abraham is dogged – he is not letting God off on any hook. And God too is resolute. There is no happy ending. Not for Sodom.
Shakespeare’s play also ends unhappily, with Portia demanding that Shylock not only be denied his pound of flesh, but that he be punished. Shylock, for his very asking that his bond against a Venetian be redeemed, must now convert to Christianity – a fate so false to Shylocks soul that it is painful to look up. We feel a blade slice through our soul, and we sit like Avraham, our heads bent down.Aach. What will we see when we look up?
Appearances. We think we know what we see. And yet even God wonders what to reveal, what to conceal. God asks, “Should I conceal from Abraham what I do?” Glimpsing what seems concealed, glimpsing that moment where we become Thou, in Buber’s language –this is our journey. God and Shakespeare, Abraham and even Ann Coulter – we all want what is unseen to become seen. Perhaps, with chochmah, with Wisdom guiding us, that holy blueprint can live within us, and guide us towards such a glimpse. An appearance. Vayeira. Shabbat shalom.
Chaye Sarah
October 28, 2018 by Rabbi Lynn Greenhough • From the Rabbi's Desk Tags: chaye sara •
The life of Sarah begins with her death. And from death, new life begins.
Eliezer – Abraham’s servant – was sent to find a wife for a now ageing Yitz. Yitz is alone. He is alone like the silence around him. He is bereft of a father he can trust, and with her death, he is now bereft of his mother. And, increasingly, with his sight diminishing, Yitzhak has a smaller and smaller mah, a perimeter beyond which he does not let himself step. He is alone.
He is lonely in his emptiness. He only leaves his rough flap of a make-shift tent to wander into the fields at even time. He stands in the late drooping light, listening to birds sing their praises of light and of worms, and he feels the meadow grasses brushing against him softly, the only touch he can abide.
He silently yearns for something – someone – perhaps the nameless One? Not yet. He is still burning with betrayal, even as he knows somewhere in his being that his father Abraham was just trying to meet some testy demand of the One. Whenever he drifts towards that last journey with his father, all Yitz can think of are words like appeasement, malicious, betrayal in a rushing thicket of words that hobble his mind. The grasses stroke against him quietly, and then a teasle thorn caught against his miel, his tunic and the loosened miel slipped back from his shoulders. As he first held, then readjusted the tangle of rough wool in his hands, he stopped. He listened. He looked up. Yes, there, in the distance. He hears a caravan approaching, but who is drawing near? He tightens his miel closer against the chilling air, and waits, standing, frozen in his fear of other. The air is quiet now. Still.
All he can feel is the plodding gait of the camels, the g’malim – and he thinks back to that other walk, uphill, the branches for the offering strapped to his back. He feels their weight, their hard dry shove against his backbone, his insistent question, his not-yet-dread beginning to calcify those same bones. His questions deflected, he continued to walk. And now, he stands very still, barely touching the sprouting grasses that surround him. The light is dimmer, the camels approach.
He knows within those same bones – how does his know this? – he knows this approaching caravan will change his life-course. He can feel again a pin-prick of a question defiantly opening what had been battened down. He felt that question that moves us all from the ground we once knew to the ground we know not yet, almost bypassing present time and space. Yitzhak wants to avert his eyes – he wants to look away, he wants to step out of this magnetic field that surrounds him, weaving its web tighter and tighter around his feet, so that he cannot step away or closer. He is held by a grip tighter than the hands of his father. He peers into vagueness.
A figure reaches up against the gloaming sky and adjusts what was light into darkness – all he can see is movement, this figure slipping to the ground, near but far, close but distant. He is cold. He cannot move. The figure approaches. Her eyes search his own and she holds his question, and then they both weep with tears of recognition. They begin to stroll through the grasses, their hands stopping occasionally to caress the golden plump seed heads, and too soon they reach the pounded ground outside her tent, the ohel that held the life of his beloved mother, Sarah. Tired canvas sags against the poles, fraying carpets less a welcome than a warning, the entrance laced tightly against the winds.
Slowly, Yitz worries the knots and then unties the laces. He tugs against the ropes pulling them taut, tightening each knot securely to each tent peg. He opens the tent-flap and invites these eyes to enter. He feels his muscles, his ligaments, his bones begin to dissolve into a light familiar, a light that seems to defy the now-night time darkness. יוֹצֵר אוֹר וּבוֹרֵא חשֶׁךְhis father used to say as they walked that walk. Light and darkness are One, he used to say, as fractals of light fractured windows from the darkness of night.
Yitz turned, and faced her eyes again, and he saw that her veil was now unhooked, her layers of shawls loosened. Ani Rivkah, she whispered. I have come, he’neini. And she took her palms and rested them against his brow. Then slowly, sliding down the planes of his loneliness, her hands came to rest, strongly, against his heart. Ani Yitzhak, he whispered into the retreating silence.
In that moment, as golden light filtered into this tent of his mother, his heart cracked. He almost keeled over. He couldn’t breathe. His knees buckled and then her hands caught his arms and she held him. Her strength held him and all the fear in his bones flowed into and through her hands and he looked up into her face. And through her eyes he saw he was whole, a seam of love glinting along his jagged edges, mending what once was broken. Ani Yitzhak.
And it was evening, and it was morning, the first day.